How To Draw Comic Book Heroes And Villains !FREE!
Battle heroes and villains in your very own comic book adventure! Become the author and illustrator of an action-packed tale with Clark Banner's Draw Your Own Comic Book: Heroes and Villains. Inside you'll find kid-friendly planners, helpful tips, and creative story starters to spark your imagination. Have fun filling the pages with incredible scenes of danger, adventure, and--of course--epic showdowns between good and evil. Don't forget to add stickers with colorful sound effects to take your story to the next level! - More than 100 comic book-style pages for all your story ideas!- 176 colorful sound effect and speech bubble stickers for extra fun!- Step-by-step directions, tips, and story starters make creating a comic book easy for everyone.- Encourages creativity at home and on the go.
How to Draw Comic Book Heroes and Villains
CLARK BANNER spent his childhood with his nose in a comic book. He grew up to discover that his greatest super power is writing. He hopes to save the world one creative book at a time. He is the author of Draw Your Own Comic Book and Draw Your Own Comic Book: Heroes and Villains.
Alex Ross is considered one of the great comic book artists of all time, certainly the greatest of the last 15 years. His reinterpretation of classic comic book characters into artworks with the use of pencil, gouache, and his God-given talent has changed the way comic books are painted. From as young as 3 years old, Ross was drawing commercials from memory. By the age of 13 he was creating and drawing original comic books. At 23 years old, he was hired by Marvel Comics for the comic book event, Marvels. His hugely successful comic book series, Kingdom Come (1996), marks the change between the Dark Age of comic books, in which pessimism and gritty stories ruled, into the Modern Age of optimism and strong superheroes.This exhibition will include many drawings created by Alex between the ages of 4 and 14, as well as construction paper sculptures of the Justice League he created as a child. A highlight in the exhibit is a pair of crayon and pencil drawings of Charlie Brown characters Alex costumed as the Justice League and the Legion of Doom. I will include a progression of Captain Marvel (aka Shazam!) drawings and paintings done when he was 4, 15, and 31 years old, as well as a similar progression of Plastic Man works created throughout his life.
The remaining variants yet to debut will be available this fall along with their accompanying comic book issues, but there's a decent chance the full set will be teased prior to the issues going up for sale. The 15 variants yet to debut are:
The superhero genre was practically invented by Jews in the comic industry. Take some time to appreciate their work and legacy with this book list, which features character origin stories, step-by-step guides on how to draw in the comic book style, and intriguing biographies on the people who made superheroes what they are today.
Think about it - why do you like to watch TV when you're bored? It's fun to watch the stories unfold. You root for your heroes and hope the villains get what's coming to them. Your emotions go on a roller-coaster ride without any real danger.
But I'll let you in on a secret. Even more fun than just going along for the ride is driving the roller coaster. When you learn how to draw cartoon and comic book characters, you control where the story goes.
You're a good man, Charlie Brown. Charlie Brown often laments that bad things always happen to him, but it's your comic strip - you control the narrative. Don't forget to draw his trusty dog, Snoopy, by his side.
Clark Banner spent his childhood with his nose in a comic book. He grew up to discover that his greatest super power is writing, and hopes to save the world one creative book at a time.He is the author of Draw Your Own Comic Book: Action-Ready Comic Pages, Kid-Friendly Instructions, and Colorful Stickers to Bring Your Amazing Story to Life!
These books enabled fans of the old comic books to have access to the stories without having to pay exorbitant prices for the original back issues. It introduced new readers to the work of Stan Lee, Jack Kirby, Steve Ditko, and other Marvel creators, and packaged the material in a traditional book format that carried more cachet than the flimsy pamphlet style of a typical comic book. Many of the books featured painted covers illustrated by such artists as Bob Larkin, John Romita Sr., and Earl Norem. In this way, the series was an antecedent to the now common practice of packaging "classic" stories into archival editions and trade paperback collections including Marvel's 1998 book Grandson of Origins of Marvel Comics.
The two Origins books were followed by Bring on the Bad Guys, origins of a selection of Marvel villains; and The Superhero Women, featuring some of Marvel's most popular female superheroes. Eventually, the series moved away from origin stories and published collections of classic stories with individual characters such as Spider-Man, the Fantastic Four, the Hulk, Captain America, and Doctor Strange.
Over the last twodecades, caped crusaders have literally been flying off the pages and coversof comic books and graphic novels, due in large part to the work of onevery talented illustrator: Alex Ross. Known for his unique, photorealisticrenderings of such beloved superheroes as Superman, Batman, and Spider-Man,Ross helped revitalize the comic book industry, capturing a new generationof readers, and bridging the gap between comic and fine art. (right:Photo of Alex Ross, courtesy of the artist.)
Heroes & Villains is the first museum exhibition celebratingthe art of Alex Ross. Organized by The Andy Warhol Museum, one of the fourCarnegie Museums of Pittsburgh, the exhibition features more than 130 works,including paintings, drawings, photographs, and sculptures from Ross' personalcollection. Spanning the artist's life and career, the exhibition featuresrarely-seen works-from his early crayon drawing of Spider-Man, created atthe age of four, to his groundbreaking work for such books as Marvels, Justice,and Kingdom Come. Heroes & Villains reveals Ross' personal and artisticgoal to redefine comic books for a new generation. The exhibition also payshomage to the artist's inspirations, including original work by his motherLynette Ross (who was also a successful illustrator), Frank Bez, AndrewLoomis, and Norman Rockwell. Also featured in the exhibition are works byAndy Warhol, a huge comic book fan, including his Myths series, which mirrorsmany of the subjects depicted in Ross' work.
At just three years of age, Ross was drawing TV commercialsfrom memory. The following year, he began drawing images of his favoritesuperheroes -- Superman, Captain Marvel, and Plastic Man. By the time hewas 13, he was drawing and scripting comic books. At the age of 17, Rosswent on to study painting at the American Academy of Art in Chicago, wherehe was influenced by Salvador Dali's hyperrealism, as well as by such classicAmerican illustrators as Norman Rockwell and J.C. Leyendecker.
Ross began his professional career as a storybook artistfor an advertising agency. At the age of 19 Ross received his first comicassignment from Marvel Comics -- a comic titled Terminator: The BurningEarth. Five years later, Ross created the illustrations and cover artfor Marvels, a full feature comic book, co-written by Kurt Busiek. Ross'sphotorealistic gouache technique showcases superheroes and villains suchas Spider-Man, the Human Torch, Captain America and Galactus. His sophomoreproject, Kingdom Come, is a comic in which an alternate DC Universe is filledwith aging superhero forces including Superman, Wonder Woman and the GreenLantern, who come out of retirement to fight modern super humans.
Considered one of the greatest artists in the field ofcomic books, Alex Ross has revitalized classic superheroes as powerful worksof art. Just as Andy Warhol elevated soup can labels into multi-milliondollar artworks, Ross has transformed the comic book. By building on thefoundation of great artists who came before him, like Jack Kirby, SteveDitko, John Romita, Neal Adams, George Perez, and others, Ross's emotional,painterly works have revolutionized the comic book industry and transcendedthe newsstand origins of his profession.
At three years of age, Alex Ross began drawing TV commercialsfrom memory, and by the age of 13, was scripting and drawing his own originalcomic books. Ten years later, he painted a visual history of Marvel Comics'central characters in the groundbreaking Marvels (1994). Ross's impacton the comic book industry has been so great that his successful seriesKingdom Come (1996) marks the close of the "Dark Age" ofcomic books, in which pessimism, violence, and gritty stories ruled, intothe birth of the "Modern Age" of optimism and strong superheroes.
Making his first appearance in Action Comics #1(June 1938), Superman was an immediate hit with the American public. Supermanwas so popular that he became the first superhero to receive his own comicbook with the publication of Superman #1 in June 1939.
Superman was created by Jerry Siegel and Joe Shuster --two shy, unpopular Jewish teens from Cleveland who shared an affection forscience-fiction pulp magazines. Through the mid-1930s, they were unsuccessfulin selling their Superman story to publishers. Finally in 1938, after somerevisions and a bit of luck, DC Comics agreed to publish the exploits ofSuperman in their new comic book, Action Comics.
Though lacking any superpowers, the Batman character achievedimmediate success, permanently becoming the feature in the DetectiveComics title while also gaining his own Batman title in Spring1940. Batman was one of the few superhero characters to be successful duringthe downturn in superhero comics of the late 1940s and early 1950s. Followingthe introduction of the restrictive Comics Code in 1954, superhero comicbooks regained popularity, albeit with watered-down stories that omittedany serious violence or frights. Accordingly, goofy plots prevailed forthe next several years as Batman fought menaces from other worlds and othertimes, such as "The Phantom of the Library" and "The JigsawCreature from Space." He was disguised as "The Armored Batman"and "Rip Van Batman" while fighting alongside new characters likeAce the Bat-Hound and Mogo the Bat-Ape. Batwoman and Batgirl also becamefixtures during this period to combat the perception of Batman and Robinas gay lovers. 041b061a72